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Born in 1949, Lam Kwok Shing is the owner and in-house photographer of Sammy Photo Studio, an old-style photo studio located in Yau Ma Tei, Hong Kong. Lam began his career as a young apprentice in the 1970s, working as a dark room technician for the studio, previously called Jim Jim. In 1996, Lam took over the studio and renamed it. The studio continues to photograph portraits in film. Image courtesy of the speaker
Grassroots Future is a non-profit organisation based in Hong Kong that works to build capacity among refugees in this city and to support the development of refugee-led initiatives. Through well-being programs, education, community outreach and investing in the future (children’s education), they build capacity of the local refugee-led initiatives and grassroots organisations, and co-create events and projects with them. By doing so, Grassroots Future hopes to provide access to resources and give platforms to undiscovered talents to develop their skills […]
Beverly Yong is a writer, curator and editor based in Kuala Lumpur. Formerly a gallerist, in 2008 she co-founded RogueArt, a partnership specialising in Malaysian and Southeast Asian contemporary art projects and consultancy. She graduated in 1995 from Cambridge University majoring in History of Art and English Literature, and has a Masters in Asian Art and Archaeology from the School of Oriental and African Studies, London University. She has written extensively and edited a number of publications on Malaysian and […]
Nicholas Y. H. Wong (Ph.D. in Comparative Literature from the University of Chicago) is a postdoctoral fellow in the Society of Fellows in the Humanities at the University of Hong Kong. His research focuses on media and modernity in China and Southeast Asia, resource extraction literary politics, Chinese-English translation, transnationalism and diaspora, poetry and poetics. His book project, titled Resource Extraction and Decolonial Literary-Intellectual Chinese Thought from the Malay Peninsula , is a materialist and geoeconomic history of Mahua literature and […]
Janet Tee first joined Muzium Negara in the late 1970s. By the 1980s, she had already gained experiences in various aspects of museum development, including an internship with the Education Services & Public Programmes at the National Museum of Singapore in 1983, as well as a three-month internship in marketing and public programming at the Peabody Museum in Salem, Massachusetts. She has also worked with several museums in New York, Santa Fe and San Francisco to realise many blockbuster and […]
Simon Soon teaches art history at the University of Malaya. He occasionally writes, makes art and curates exhibitions. His research focuses on 19th- and 20th-century art in Southeast Asia. In his spare time, he photographs roadside shrines and visits tiny temples. He is currently developing an introductory course in digital humanities and runs a digital art history study group. He also runs a personal homepage on his interests and research at bawahangin.cargo.site Image courtesy of the speaker